Roberta Mameli – Angelica

A specialist of Baroque music, she regularly performs in the most important European concert and opera stages.

Her recent engagements include: Pergolesi’s L’Olimpiade (under Ottavio Dantone) and Händel's Athalia (under Paul Goodwin) in Krakow; Il Novello Giasone by Cavalli/Stradella at the Festival della Valle d’Itria in Martina Franca; Mozart’s Requiem with the Choir and Orchestra of Maggio Musicale Fiorentino under Christopher Hogwood at the Anima Mundi Festival in Pisa; Vivaldi’s Teuzzone (Cino) with Le Concert de Nations and Jordi Savall in Versailles (recorded for Naïve); Così Fan Tutte (Dorabella) under Ryo Terakado in Tokyo; Handel meets jazz at the Händelfestspiele in Halle, with La Venexiana and Gianluigi Trovesi; Handel’s Ariodante (Ginevra) at the Enescu Festival in Bucharest and at the MiTo Festival in Turin with Complesso Barocco and Alan Curtis; Il Ritorno d’Ulisse in Patria (Minerva) in Amsterdam and Regensburg with La Venexiana; Handel's Deidamia (Nerea) at the Theater an der Wien and at the Soli Deo Gloria Festival in Braunschweig with Il Complesso Barocco and Alan Curtis.

Future plans include: Handel’s Agrippina (Poppea) and Vivaldi’s Orlando Furioso (1714) at the Festival International Musique Baroque de Beaune with Modo Antiquo and Federico Maria Sardelli; Vivaldi’s Catone in Utica (recording and European tour) and Handel’s Amadigi (Oriana) with Il Complesso Barocco and Alan Curtis; Vivaldi’s L’incoronazione di Dario with Accademia Bizantina and Ottavio Dantone; solo concerts in Espinho, Graz (Styriarte Festival), Viterbo (Festival Barocco) and Corfu.